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home·artworks·La voluntad
La voluntad by Jose Higuera

plate no. 1938

La voluntad

Jose Higuera, 2013

oil, canvasRealismgenre paintingfigureboyhatscarfclothinglight
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and capturing subtle variations in light and shadow. It also provides practice in depicting fabric and textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and scarf on the canvas.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle shifts in color and value.

  4. step 04

    Develop the details of the clothing, using thicker paint and more visible brushstrokes to create texture.

  5. step 05

    Paint the hat, focusing on capturing the intricate woven texture and the way light interacts with it.

  6. step 06

    Add the blue scarf, building up the color in layers and creating depth with highlights and shadows.

  7. step 07

    Refine the background, using soft brushstrokes to create a sense of atmosphere.

  8. step 08

    Add final details and highlights to enhance the realism of the painting.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red light · raw sienna

Mix skin tones using white, yellow ochre, burnt umber, and a touch of cadmium red. Achieve the blue of the scarf by mixing ultramarine blue with white for lighter areas and adding a touch of burnt umber for shadows.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the subtle shifts in value, leading to a flat appearance.
  • →Overworking the painting, losing the freshness of the brushstrokes.
  • →Ignoring the importance of accurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for capturing the texture of the brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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