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home·artworks·La Merenda
La Merenda by Elin Danielson-Gambogi

plate no. 2221

La Merenda

Elin Danielson-Gambogi

oilRealismgenre paintingfiguresbeachseaskypicniclandscape
some experience helpful

Recreating this painting will help students develop skills in figure painting, atmospheric perspective, and color mixing to achieve subtle variations in light and shadow. It's also a good exercise in capturing realistic textures, like sand and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: sky, sea, and beach, using thin washes.

  3. step 03

    Establish the basic values and forms of the figures, paying attention to proportions and anatomy.

  4. step 04

    Begin layering colors to create depth and dimension in the figures' clothing and skin tones.

  5. step 05

    Add details to the faces and hands, focusing on capturing the expressions and gestures.

  6. step 06

    Develop the textures of the sand and water, using varied brushstrokes and color variations.

  7. step 07

    Refine the details of the picnic items and other small elements.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of light and atmosphere.

color palette

primary · titanium white · ultramarine blue · burnt sienna · yellow ochre

secondary · alizarin crimson · raw umber · cadmium yellow light

Mix various shades of blue and white for the sky and sea, adding touches of yellow ochre and burnt sienna for warmth. Use alizarin crimson and white to create the pinkish hues in the figures' clothing and skin. Mix burnt sienna, raw umber, and yellow ochre to achieve the sandy tones of the beach.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·color layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in color and value.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·cadmium yellow light oil paint

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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