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home·artworks·À l’Aube
À l’Aube by Charles Hermans

plate no. 8703

À l’Aube

Charles Hermans, 1875

oilRealismgenre paintingfiguresbuildingstreet sceneweddingcrowdclothing
experienced study

Recreating this painting will help students develop skills in rendering complex figures in varied poses and capturing subtle atmospheric perspective. It also provides practice in depicting intricate details of clothing and architecture.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Gradually build up the details of the figures, paying attention to proportions and anatomy.

  4. step 04

    Introduce local color to the clothing and architectural elements.

  5. step 05

    Refine the lighting and shadows to create depth and dimension.

  6. step 06

    Add subtle details to the faces and hands to bring the figures to life.

  7. step 07

    Pay close attention to the textures of the clothing and the surfaces of the building.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · Prussian blue · yellow ochre · cadmium red light

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use glazes of thinned color to create subtle variations in hue and value.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overly bright or saturated colors
  • →Lack of depth and dimension
  • →Ignoring subtle value shifts
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use a high-quality canvas primed with gesso. Consider using a toned ground to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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