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home·artworks·Kostverloren House on the Amstel
Kostverloren House on the Amstel by Jacob van Ruisdael

plate no. 1663

Kostverloren House on the Amstel

Jacob van Ruisdael

oilBaroquelandscapebuildingwaterskytreesfiguresclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures like brick and foliage. It also provides practice in depicting reflections in water and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, trees, and water line.

  2. step 02

    Establish the sky with broad strokes, blending light and dark grays and blues to create cloud formations.

  3. step 03

    Block in the main shapes of the building and surrounding trees with simplified color masses.

  4. step 04

    Develop the details of the building, paying attention to the brick texture and architectural elements.

  5. step 05

    Add details to the trees, varying the greens and using dry brush techniques to suggest foliage.

  6. step 06

    Paint the water, capturing the reflections of the building and sky with horizontal strokes.

  7. step 07

    Add figures and other small details to enhance the scene.

  8. step 08

    Refine the overall painting, adjusting values and colors to create a cohesive and atmospheric effect.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · sap green

Mix various shades of gray by combining white, umber, and a touch of blue. Use yellow ochre and burnt sienna to create the warm tones of the brick. Mix greens by blending blue, yellow, and umber.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·wet-on-wet blending

common pitfalls

  • →Overworking details too early
  • →Failing to establish a clear value structure
  • →Ignoring atmospheric perspective
  • →Using overly saturated colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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