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home·artworks·King David Handing the Letter to Uriah
King David Handing the Letter to Uriah by Pieter Lastman

plate no. 9176

King David Handing the Letter to Uriah

Pieter Lastman

oilBaroquereligious paintingfigureskinginteriorarchitecturedogtable
experienced study

Recreating this painting will help students develop skills in rendering figures with complex drapery and capturing the interplay of light and shadow to create depth and drama. Students will also learn about creating a focal point through composition and value contrast.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint, focusing on the overall value structure.

  3. step 03

    Begin to develop the details of the figures, starting with the faces and hands.

  4. step 04

    Work on the drapery, paying attention to the folds and highlights.

  5. step 05

    Develop the background, including the architectural elements and the sky.

  6. step 06

    Refine the details and add highlights and shadows to create depth and dimension.

  7. step 07

    Add final details such as the dog and the small objects on the table.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Mix various shades of brown and ochre by combining burnt umber, raw sienna, and yellow ochre with white. Use ultramarine blue and burnt umber to create dark shadows. Add small amounts of cadmium red to warm up the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·drapery rendering

common pitfalls

  • →getting the proportions of the figures wrong
  • →overworking the details too early
  • →failing to create a strong sense of depth
  • →not paying attention to the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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