apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·King Casimir the Great
King Casimir the Great by Marcello Bacciarelli

plate no. 6633

King Casimir the Great

Marcello Bacciarelli, 1796

oilBaroquehistory paintingfigureskingcrowdarchitecturecityscapehistorical
experienced study

This painting provides practice in rendering figures in a crowd and creating a sense of depth through atmospheric perspective. Students can also learn about historical painting techniques and color palettes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and the architectural elements.

  2. step 02

    Establish the background cityscape with light washes of muted colors.

  3. step 03

    Block in the main figures with simplified shapes and values, paying attention to their gestures and poses.

  4. step 04

    Develop the details of the king's figure, including his crown, robe, and facial features.

  5. step 05

    Add details to the surrounding figures, varying their expressions and clothing.

  6. step 06

    Refine the architectural details, such as the archway and steps.

  7. step 07

    Adjust the values and colors to create depth and atmosphere.

  8. step 08

    Add final highlights and details to enhance the realism of the painting.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Mix muted tones by combining complementary colors. Use white to create highlights and thin glazes to build up color depth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·portraiture

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions of figures
  • →Failing to create a sense of depth
  • →Muddying colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to create a warmer base for the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne