apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kevättalven Aurinko
Kevättalven Aurinko by Eero Järnefelt

plate no. 6028

Kevättalven Aurinko

Eero Järnefelt

oilRealismlandscapesnowtreeslandscapewinterforestsky
some experience helpful

Recreating this painting will help students understand how to depict snow realistically using subtle color variations and how to create depth in a landscape using atmospheric perspective. It also provides practice in rendering tree bark texture and complex branch structures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, tree placement, and snow-covered rocks.

  2. step 02

    Establish the sky with a light wash of pale yellow and blue, blending smoothly.

  3. step 03

    Block in the distant forest with dark blues and greens, softening the edges to create atmospheric perspective.

  4. step 04

    Lay down the base color for the snow, using white mixed with a touch of blue and violet.

  5. step 05

    Add shadows to the snow using darker shades of blue, violet, and brown, paying attention to the light source.

  6. step 06

    Paint the trees, starting with the trunks and then adding the branches, using a dry brush technique to create texture.

  7. step 07

    Add details to the snow-covered rocks, highlighting the edges and adding subtle color variations.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · violet · raw sienna

Mix white with small amounts of blue and violet to create the cool tones of the snow. Use burnt umber and raw sienna for the tree bark, adding white for highlights and blue for shadows.

techniques

  • ·color mixing
  • ·atmospheric perspective
  • ·dry brush
  • ·layering
  • ·blending

common pitfalls

  • →Overusing pure white for the snow, resulting in a flat and unrealistic appearance.
  • →Ignoring the subtle color variations in the snow, leading to a lack of depth.
  • →Making the distant forest too sharp and detailed, which will flatten the perspective.
  • →Not paying attention to the light source, resulting in inconsistent shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Pre-toned canvas can help to establish the base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy