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home·artworks·Jupiter I Merkury U Filemona I Baucis
Jupiter I Merkury U Filemona I Baucis by Adam Elsheimer

plate no. 7087

Jupiter I Merkury U Filemona I Baucis

Adam Elsheimer, 1609

tempera, gouache, canvasBaroquemythological paintingfiguresinteriortablecandlelightmythologyarchitecture
experienced study

Recreating this painting will help students understand chiaroscuro and how to create a sense of depth using light and shadow. It also provides practice in rendering figures in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a canvas with a dark umber ground.

  2. step 02

    Sketch the basic composition, focusing on the placement of figures and the table.

  3. step 03

    Establish the main light source (the candle) and block in the areas of light and shadow with thin washes of color.

  4. step 04

    Develop the figures, starting with the areas closest to the light source and gradually working into the shadows.

  5. step 05

    Add details to the table and surrounding objects, paying attention to how the light reflects off different surfaces.

  6. step 06

    Refine the overall composition, adjusting values and adding highlights to create a sense of depth.

  7. step 07

    Use glazes to deepen shadows and add richness to the colors.

  8. step 08

    Add final details and adjust the overall tonal balance.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white

Achieve the warm glow of candlelight by mixing yellow ochre with burnt sienna and a touch of white. Create shadows by mixing burnt umber with ivory black.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong light source.
  • →Making the shadows too flat and lifeless.
  • →Losing the overall tonal balance of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·damar varnish
  • ·painting medium

Use a canvas with a fine weave to allow for smooth blending and glazing. Consider using a toned canvas to save time on the underpainting.

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related guides

chiaroscuro →how to learn by studying the masters →
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