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home·artworks·Jupiter and Mercury at Philemon and Baucis
Jupiter and Mercury at Philemon and Baucis by Adam Elsheimer

plate no. 4468

Jupiter and Mercury at Philemon and Baucis

Adam Elsheimer, 1610

oilBaroquemythological paintingfiguresinteriormythologylightshadowstable
experienced study

Recreating this painting will help students develop skills in chiaroscuro and rendering figures in low light conditions. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Establish the dark background tones using a thin wash of burnt umber and black.

  3. step 03

    Block in the main areas of light and shadow on the figures and objects.

  4. step 04

    Gradually build up the highlights, paying close attention to the light source.

  5. step 05

    Refine the details of the figures and objects, focusing on the textures and forms.

  6. step 06

    Use glazing techniques to create depth and luminosity in the shadows.

  7. step 07

    Add final highlights and details to enhance the overall effect.

  8. step 08

    Varnish to protect the painting and enhance the colors.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ultramarine blue

Achieve the dark tones by mixing burnt umber and ivory black. Use white to create highlights and mix with other colors to create lighter shades. Mix red and umber for the figures' robes.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·layering

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using too much paint in the initial layers.
  • →Not paying attention to the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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