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home·artworks·July Afternoon
July Afternoon by Edward E. Simmons

plate no. 0296

July Afternoon

Edward E. Simmons, 1906

oilRealismlandscapelandscapefieldtreesskygrassshadows
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the effects of light and shadow on a landscape. It also encourages loose brushwork to suggest texture and detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the trees and field.

  2. step 02

    Establish the sky with a light blue wash, blending it softly.

  3. step 03

    Block in the distant landscape with muted greens and browns.

  4. step 04

    Lay in the base colors for the field, using a mix of greens, yellows, and browns.

  5. step 05

    Add shadows to the field, using darker greens and browns to create depth.

  6. step 06

    Paint the trees, focusing on capturing the shapes and textures of the foliage with broken brushstrokes.

  7. step 07

    Add highlights to the field and trees to create a sense of light and atmosphere.

  8. step 08

    Refine details and adjust values as needed to create a cohesive and balanced composition.

color palette

primary · yellow ochre · sap green · ultramarine blue · burnt umber

secondary · titanium white · cadmium yellow · raw sienna

Mix greens by blending yellow ochre and sap green, and create muted tones by adding a touch of burnt umber. Achieve the sky color by diluting ultramarine blue with white.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating mud by overmixing colors.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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