apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jules Luquet
Jules Luquet by Theodule Ribot

plate no. 3170

Jules Luquet

Theodule Ribot

oilRealismportraitportraitfiguremanbeardclothingdark background
some experience helpful

Recreating this painting will help students understand value relationships in a limited palette and practice portrait proportions. It also provides experience in rendering fabric and facial hair.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions of the head, shoulders, and hand.

  2. step 02

    Establish the darkest and lightest values with thin washes of paint.

  3. step 03

    Block in the mid-tones of the face and clothing, paying attention to the direction of light.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and value relationships.

  5. step 05

    Add details to the beard and hair, using short, broken brushstrokes.

  6. step 06

    Develop the folds and shadows in the clothing, blending carefully.

  7. step 07

    Refine the hand, paying attention to the subtle variations in tone.

  8. step 08

    Adjust the background to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · raw sienna

Achieve skin tones by mixing white with small amounts of burnt umber, raw umber, and yellow ochre. Use ivory black sparingly to darken values. Create subtle variations in the clothing by mixing different proportions of umber and black.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the loose, expressive brushstrokes.
  • →Failing to establish a strong value structure early on.
  • →Getting the proportions of the face incorrect.
  • →Making the skin tones too uniform and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a canvas with a smooth surface for easier blending. Consider using a medium to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy