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home·artworks·Juhani Siljo
Juhani Siljo by Pekka Halonen

plate no. 7925

Juhani Siljo

Pekka Halonen

oilRealismportraitportraitfiguremansuithairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing form with visible brushstrokes. It's a good exercise in understanding light and shadow on a human face.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Block in the background with a thin, even layer of a warm neutral color.

  3. step 03

    Establish the main areas of light and shadow on the face using a limited palette of earth tones and white.

  4. step 04

    Begin to refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, using short, directional brushstrokes to suggest texture and volume.

  6. step 06

    Paint the suit and tie, focusing on the folds and shadows in the fabric.

  7. step 07

    Refine the edges and details throughout the painting, adding highlights and shadows as needed.

  8. step 08

    Add final touches and adjust colors to achieve a cohesive and realistic portrait.

color palette

primary · titanium white · burnt umber · cadmium red light · yellow ochre

secondary · ultramarine blue · ivory black

Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and black to create the dark tones of the suit.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature variation
  • ·directional brushstrokes

common pitfalls

  • →Over-blending the skin tones, resulting in a flat and lifeless appearance.
  • →Getting the proportions of the facial features wrong.
  • →Ignoring the subtle shifts in color temperature across the face.
  • →Using too much black, which can make the painting look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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