apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Juan Francisco De La Cerda, Viii Duque De Medinaceli
Juan Francisco De La Cerda, Viii Duque De Medinaceli by Claudio Coello

plate no. 0367

Juan Francisco De La Cerda, Viii Duque De Medinaceli

Claudio Coello

oilBaroqueportraitportraitfiguremanclothinghairoval frame
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and modeling form with subtle value changes. It also provides practice in rendering dark, complex textures and achieving a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval frame and the figure's pose, paying attention to proportions.

  2. step 02

    Establish the background with a thin wash of blues and browns.

  3. step 03

    Block in the main areas of the figure: face, hair, clothing.

  4. step 04

    Begin modeling the face with light and shadow, focusing on accurate skin tones.

  5. step 05

    Develop the dark clothing with layers of black and brown, adding subtle highlights.

  6. step 06

    Refine the hair, creating texture and volume with varied brushstrokes.

  7. step 07

    Add details like the collar, jewelry, and any visible background elements.

  8. step 08

    Glaze and adjust values to create a cohesive and realistic image.

color palette

primary · ivory black · titanium white · raw umber

secondary · ultramarine blue · burnt sienna · cadmium red light

Achieve skin tones by mixing white, red, and umber, adjusting ratios for highlights and shadows. Dark clothing is primarily black and umber, lightened with small amounts of white for highlights. The background uses muted blues and browns.

techniques

  • ·portraiture
  • ·value study
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early.
  • →Making the dark clothing too flat and lifeless.
  • →Failing to capture the subtle nuances of skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne