apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Juan-Diego
Juan-Diego by Miguel Cabrera

plate no. 5671

Juan-Diego

Miguel Cabrera

oilBaroqueportraitfigureportraitlandscapehaloreligioussky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding atmospheric perspective in landscapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the landscape elements.

  2. step 02

    Establish the background sky and landscape with thin washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, including the cloak and the face, using a limited palette of earth tones.

  4. step 04

    Develop the details of the face, focusing on capturing the likeness and expression.

  5. step 05

    Add highlights and shadows to the cloak to create a sense of volume and depth.

  6. step 06

    Refine the details of the hands and feet, paying attention to the anatomy.

  7. step 07

    Add the halo and any other symbolic elements.

  8. step 08

    Glaze with thin layers to adjust the colors and values, and add final details.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt sienna to create muted greens for the landscape.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-tooth canvas for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne