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home·artworks·Juan de Pareja
Juan de Pareja by Diego Velázquez

plate no. 2683

Juan de Pareja

Diego Velázquez, 1650

oil, canvasBaroqueportraitportraitmanclothinghaircollarfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form using subtle value changes and visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a thin wash of muted green and brown tones.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall value structure.

  4. step 04

    Develop the skin tones, layering and blending colors to create subtle variations.

  5. step 05

    Define the clothing, focusing on the folds and shadows to create form.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth.

  7. step 07

    Refine the hair, using loose brushstrokes to capture its texture.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing white with small amounts of umber, ochre, and red. Use varying ratios to create highlights and shadows. Muted greens and browns are achieved by mixing umber, black, and ochre.

techniques

  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the correct proportions of the face.
  • →Using too much detail in the background, distracting from the main subject.
  • →Not paying enough attention to the value structure, resulting in a lack of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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