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home·artworks·Joshua Walmsley Radcliffe, Mayor of Oldham
Joshua Walmsley Radcliffe, Mayor of Oldham by James Charles

plate no. 4117

Joshua Walmsley Radcliffe, Mayor of Oldham

James Charles, 1887

oilRealismportraitportraitfigureclothingbeardchainuniform
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict textures in clothing and accessories.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure.

  2. step 02

    Block in the main shapes and colors of the background and clothing using thin washes.

  3. step 03

    Start building up the skin tones on the face, paying attention to highlights and shadows.

  4. step 04

    Add details to the beard and hair, using small brushstrokes to create texture.

  5. step 05

    Carefully render the details of the uniform, including the chain, belt, and cuffs.

  6. step 06

    Refine the background and add any remaining details, such as the objects on the table.

  7. step 07

    Glaze layers to unify the painting and adjust color values.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · red · ivory black · raw umber · titanium white

secondary · gold · silver · payne's gray

Mix various shades of red by adding small amounts of black or brown. Achieve skin tones by blending white, red, yellow, and brown. Create gold tones by mixing yellow ochre with burnt sienna and a touch of black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red, ivory black, raw umber, titanium white, yellow ochre, burnt sienna, payne's gray)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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