apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·José Alves de Cerqueira César
José Alves de Cerqueira César by Jose Ferraz de Almeida Junior

plate no. 3163

José Alves de Cerqueira César

Jose Ferraz de Almeida Junior, 1890

oilRealismportraitportraitmanfigureclothingoval formathistorical
some experience helpful

This painting provides an opportunity to practice portraiture techniques, including capturing likeness and rendering realistic skin tones. Students will also develop skills in creating depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the oval format and the figure's basic proportions.

  2. step 02

    Establish the main light and shadow areas on the face and clothing using a mid-tone underpainting.

  3. step 03

    Block in the background with dark, muted tones.

  4. step 04

    Start building up the skin tones, layering thin glazes to create depth and realism.

  5. step 05

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the clothing, such as the collar and tie, using precise brushstrokes.

  7. step 07

    Adjust the values and colors throughout the painting to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix skin tones using white, raw sienna, burnt umber, and a touch of red. Use ultramarine blue and burnt umber to create dark, muted tones for the background and clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·value studies
  • ·portrait proportions

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create form and depth.
  • →Using colors that are too saturated and unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, burnt umber, raw sienna, titanium white, cadmium red light, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious underpainting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy