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home·artworks·Joinville on the River Marne
Joinville on the River Marne by David Bates

plate no. 3423

Joinville on the River Marne

David Bates, 1875

oilRealismlandscaperivertreescloudsfiguresboatlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in rendering foliage and cloud formations with subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, riverbank, trees, and boat.

  2. step 02

    Establish the sky with broad strokes, blending light and dark grays and blues to create cloud formations.

  3. step 03

    Block in the main areas of the landscape: the river, the grassy banks, and the distant trees.

  4. step 04

    Develop the details of the trees, using varying shades of green and brown to create depth and texture.

  5. step 05

    Paint the figures and the boat, paying attention to their relative sizes and placement within the scene.

  6. step 06

    Add reflections in the water, using slightly darker and muted versions of the colors above.

  7. step 07

    Refine the details of the foreground, adding highlights and shadows to create a sense of depth.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall atmosphere.

color palette

primary · gray · blue · green · brown

secondary · yellow ochre · raw umber · titanium white

Mix various shades of gray by combining white with small amounts of blue, brown, and yellow ochre. Achieve the green hues by mixing blue and yellow, and adjust the tone with brown or white.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the foreground, which can flatten the perspective.
  • →Making the reflections too bright or too sharp, which can detract from the realism.
  • →Using too much pure color without mixing, which can create a garish effect.
  • →Neglecting the subtle variations in value and color, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: titanium white, ultramarine blue, burnt umber, yellow ochre
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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