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home·artworks·John the Baptist Beheaded, AD 23
John the Baptist Beheaded, AD 23 by Jan Luyken

plate no. 7598

John the Baptist Beheaded, AD 23

Jan Luyken, 1685

etchingBaroqueillustrationfiguresarchitectureinteriorheadexecution
experienced study

Recreating this etching will help students understand how to create depth and form using only line work and hatching techniques. It will also improve their understanding of composition and storytelling in art.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of figures and architectural elements.

  2. step 02

    Establish the darkest areas of the image using closely spaced lines.

  3. step 03

    Gradually build up the mid-tones by adding more lines, varying the spacing and direction to create different values.

  4. step 04

    Use cross-hatching to create deeper shadows and add texture to surfaces.

  5. step 05

    Pay close attention to the direction of light and how it affects the forms.

  6. step 06

    Refine the details of the figures, including facial features and clothing.

  7. step 07

    Add final touches to the architectural elements and background.

  8. step 08

    Review the overall image and make any necessary adjustments to the values and details.

color palette

primary · black · white

secondary ·

This is a monochromatic image, so there is no color mixing involved. The focus is on creating different values using line work.

techniques

  • ·hatching
  • ·cross-hatching
  • ·line weight variation
  • ·stippling
  • ·contour lines

common pitfalls

  • →Failing to establish a clear value structure.
  • →Using lines that are too uniform in weight and spacing.
  • →Overworking the image and losing the freshness of the line work.
  • →Ignoring the direction of light and its effect on the forms.

materials

surface · smooth drawing paper

required

  • ·drawing paper
  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·ruler
  • ·fine liner pens (various sizes)

optional

  • ·tracing paper
  • ·light box
  • ·magnifying glass

Use high-quality drawing paper that can withstand multiple layers of line work. Experiment with different pencil grades and pen sizes to achieve a variety of values and textures.

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chiaroscuro →how to learn by studying the masters →
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