
plate no. 0382
Joseph Wright, 1780
This painting provides an opportunity to practice portraiture, including skin tone mixing and rendering of fabrics. Students can also learn about creating depth through subtle value changes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, hands, and scroll.
Establish the background with a thin wash of dark brown, gradually building up the darker tones.
Block in the main areas of color: the skin tones, the black robe, the white collar, and the green hat.
Begin refining the skin tones, using subtle variations in color and value to create a sense of form and volume.
Add details to the clothing, such as the folds and wrinkles in the robe and the texture of the hat.
Carefully render the hand and the scroll, paying attention to the details of the fingers and the geometric diagram.
Refine the background, adding subtle highlights and shadows to create depth.
Add final highlights and details to the face and clothing to complete the painting.
color palette
primary · ivory black · titanium white · yellow ochre · burnt sienna
secondary · viridian green · raw umber · cadmium red light
Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and a touch of red. The black robe is a mix of ivory black and raw umber. The hat is a mix of viridian green and raw umber, lightened with white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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