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home·artworks·John Pickering
John Pickering by Joseph Wright

plate no. 0382

John Pickering

Joseph Wright, 1780

oil, canvasBaroqueportraitportraitfigureclothinghatscrollhand
some experience helpful

This painting provides an opportunity to practice portraiture, including skin tone mixing and rendering of fabrics. Students can also learn about creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, hands, and scroll.

  2. step 02

    Establish the background with a thin wash of dark brown, gradually building up the darker tones.

  3. step 03

    Block in the main areas of color: the skin tones, the black robe, the white collar, and the green hat.

  4. step 04

    Begin refining the skin tones, using subtle variations in color and value to create a sense of form and volume.

  5. step 05

    Add details to the clothing, such as the folds and wrinkles in the robe and the texture of the hat.

  6. step 06

    Carefully render the hand and the scroll, paying attention to the details of the fingers and the geometric diagram.

  7. step 07

    Refine the background, adding subtle highlights and shadows to create depth.

  8. step 08

    Add final highlights and details to the face and clothing to complete the painting.

color palette

primary · ivory black · titanium white · yellow ochre · burnt sienna

secondary · viridian green · raw umber · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and a touch of red. The black robe is a mix of ivory black and raw umber. The hat is a mix of viridian green and raw umber, lightened with white.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·value control
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting the proportions wrong.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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