apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·John Dolben
John Dolben by John Riley

plate no. 6408

John Dolben

John Riley, 1685

oilBaroqueportraitportraitfigureclothinglacehairhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It will also improve their understanding of value and color relationships in low-light conditions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's pose and proportions.

  2. step 02

    Block in the main areas of color: background, skin tones, clothing.

  3. step 03

    Establish the dark values in the background and hair.

  4. step 04

    Refine the skin tones, paying attention to subtle shifts in color and value.

  5. step 05

    Add details to the clothing, including the lace and folds of fabric.

  6. step 06

    Develop the highlights and shadows to create form and depth.

  7. step 07

    Add the final details, such as the facial features and jewelry.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · ivory black · ultramarine blue · burnt umber · titanium white

secondary · cadmium red light · yellow ochre · raw sienna

Mix skin tones with white, yellow ochre, and a touch of red. Create the blue of the coat by mixing ultramarine with white and a touch of black. Achieve the dark browns and blacks by mixing burnt umber, ivory black, and ultramarine.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to create a sense of depth and form.
  • →Making the colors too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne