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home·artworks·Johan Cornelisz Vijgeboom and His Wife
Johan Cornelisz Vijgeboom and His Wife by Samuel Dirksz van Hoogstraten

plate no. 6945

Johan Cornelisz Vijgeboom and His Wife

Samuel Dirksz van Hoogstraten, 1647

oilBaroquelandscapefiguresbuildinglandscapegardenskyclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic skin tones in muted light. Students will also practice creating depth through layering and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, building, and garden layout.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the sky, building, and foliage, paying attention to the subtle shifts in hue and value.

  4. step 04

    Begin refining the details of the building, adding highlights and shadows to create form.

  5. step 05

    Work on the figures, carefully rendering the faces and clothing with attention to light and shadow.

  6. step 06

    Develop the details of the garden, adding texture and depth to the foliage and pathways.

  7. step 07

    Refine the atmospheric perspective by softening edges and lightening values in the distance.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ultramarine blue

Achieve the muted tones by mixing earth tones with black and white. Use small amounts of red and blue to create subtle color variations in the sky and foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a fine-weave canvas to allow for smooth blending and detail work. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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