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home·artworks·João Alves Rubião Junior
João Alves Rubião Junior by Jose Ferraz de Almeida Junior

plate no. 1520

João Alves Rubião Junior

Jose Ferraz de Almeida Junior, 1896

oilRealismportraitportraitmanclothingfacial hairglassesbow tie
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow to create form. It also provides practice in capturing likeness and creating a realistic skin tone.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of key features.

  2. step 02

    Block in the background with a thin wash of neutral colors, establishing the overall tone.

  3. step 03

    Begin to build up the dark values of the suit, using thin layers of paint.

  4. step 04

    Establish the mid-tones and highlights on the face, focusing on the planes of the face and the direction of light.

  5. step 05

    Refine the details of the facial features, such as the eyes, nose, and mouth.

  6. step 06

    Add the details of the clothing, such as the bow tie and collar.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final details, such as the glasses and any subtle textures.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cadmium red light · yellow ochre

Mix various shades of gray for the background by combining white, black, and a touch of umber. Achieve skin tones by blending white, sienna, ochre, and a small amount of red.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong, especially the facial features.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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