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home·artworks·Jim Hawkins, Long John Silver and his Parrot
Jim Hawkins, Long John Silver and his Parrot by N.C. Wyeth

plate no. 4519

Jim Hawkins, Long John Silver and his Parrot

N.C. Wyeth

oilRealismillustrationfiguresinteriorbirdcagepipetableparrot
some experience helpful

Recreating this painting will help students understand how to use a limited palette to create a sense of depth and atmosphere. It also provides practice in rendering figures in dynamic poses and capturing realistic lighting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Establish the light source and begin to build up the highlights and shadows using thicker paint.

  4. step 04

    Focus on accurately rendering the skin tones and clothing of the figures, paying attention to the subtle variations in color and value.

  5. step 05

    Add details to the faces and hands, capturing the expressions and gestures of the figures.

  6. step 06

    Paint the background and surrounding objects, using a looser brushstroke to create a sense of depth and atmosphere.

  7. step 07

    Add the birdcage and parrot, paying attention to the details of the cage and the colors of the bird.

  8. step 08

    Refine the painting by adding highlights, shadows, and details as needed.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black

Mix burnt umber and yellow ochre for warm browns and tans. Add white to lighten values and create highlights. Use ivory black sparingly to darken shadows.

techniques

  • ·underpainting
  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the painting and losing the loose, painterly quality.
  • →Failing to establish a strong light source and create a sense of depth.
  • →Getting the proportions of the figures wrong.
  • →Using too much detail in the background and distracting from the focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grit canvas for a slightly textured surface.

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related guides

oil painting for beginners →how to learn by studying the masters →
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