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home·artworks·Jim and the Treasure
Jim and the Treasure by N.C. Wyeth

plate no. 6069

Jim and the Treasure

N.C. Wyeth

oilRealismillustrationfiguretreasurecoinsbagscavelight
experienced study

Recreating this painting will help students develop skills in rendering light and shadow, particularly how light interacts with metallic surfaces, and how to create depth using atmospheric perspective and value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figure, bags, and treasure.

  2. step 02

    Block in the large shapes with dark, muted tones to establish the overall value structure.

  3. step 03

    Gradually build up the highlights on the coins and the figure's shirt, focusing on the areas where the light is most intense.

  4. step 04

    Use layers of thin glazes to create depth and luminosity in the shadows.

  5. step 05

    Pay close attention to the edges of the forms, softening them in the background to create atmospheric perspective.

  6. step 06

    Add details to the figure's face and hands, using small brushstrokes to capture the subtle nuances of light and shadow.

  7. step 07

    Refine the texture of the bags and the surrounding cave walls using dry brush techniques.

  8. step 08

    Add final highlights to the coins to create a sense of sparkle and realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow · van dyke brown

Achieve the gold tones by mixing yellow ochre with burnt sienna and a touch of white. Use burnt umber and ivory black for the darker shadows, and add white to create lighter tones.

techniques

  • ·glazing
  • ·dry brushing
  • ·chiaroscuro
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of soft edges.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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