
plate no. 9822
Jan de Bray, 1671
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also provide practice in depicting textures such as lace and fabric.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Block in the background with a dark, muted tone.
Establish the main light and shadow areas on the face and clothing.
Begin layering skin tones, gradually building up highlights and shadows.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Paint the clothing, focusing on the folds and textures of the fabric.
Add details to the lace collar, using small brushes and light colors.
Make final adjustments to the values and colors to create a cohesive and realistic portrait.
color palette
primary · ivory black · titanium white · burnt umber · yellow ochre
secondary · cadmium red light · ultramarine blue
Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the dark background by mixing black, umber, and a hint of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.
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