apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jeune Femme Pensive aux Roses Rouges
Jeune Femme Pensive aux Roses Rouges by Jean Metzinger

plate no. 6536

Jeune Femme Pensive aux Roses Rouges

Jean Metzinger, 1923

oilNeoclassicismportraitportraitwomanrosestabledrinkcurtains
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating a sense of depth through layering and subtle value changes. It also provides practice in rendering different textures, such as fabric, glass, and flowers.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of objects.

  2. step 02

    Establish the background colors, including the curtains and the wall behind the figure.

  3. step 03

    Block in the main shapes of the figure, using a base color for the skin and the dress.

  4. step 04

    Begin layering and blending colors to create the skin tones, paying attention to highlights and shadows.

  5. step 05

    Paint the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add details to the dress, roses, drink, and other objects on the table.

  7. step 07

    Refine the details and add final touches to the painting.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · titanium white · cadmium red · yellow ochre · ultramarine blue

secondary · viridian green · burnt umber · ivory black

Mix skin tones using white, yellow ochre, cadmium red, and a touch of ultramarine blue. Use viridian green and white to create the green drink. Mix different shades of red for the dress and roses.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figure
  • →Muddy skin tones
  • →Overworking the details
  • →Inaccurate color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium such as Liquin can help speed up drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs