
plate no. 1115
Recreating this painting will help students develop skills in portrait painting, particularly rendering realistic skin tones and textures, as well as understanding chiaroscuro. It also provides practice in depicting drapery and still life elements.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, book, and skull.
Establish the background with broad washes of dark browns and reds, creating a sense of depth.
Block in the main shapes of the figure, using a limited palette of browns and creams.
Begin to refine the facial features, paying close attention to the light and shadow.
Add details to the beard, using thin, broken brushstrokes to create texture.
Paint the book and skull, focusing on their form and texture.
Adjust the values and colors throughout the painting to create a sense of harmony.
Add final details and highlights to complete the painting.
color palette
primary · burnt umber · raw umber · titanium white · ivory black
secondary · yellow ochre · burnt sienna
Achieve skin tones by mixing white, umber, and a touch of yellow ochre. Use burnt sienna to add warmth to shadows. Vary the proportions to create subtle color shifts.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth texture for easier blending. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne