apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jean Baptiste Monginot
Jean Baptiste Monginot by Hyacinthe Rigaud

plate no. 3110

Jean Baptiste Monginot

Hyacinthe Rigaud, 1688

oilBaroqueportraitportraitfigureframeclothingdraperyhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice with depicting complex fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the oval frame, paying close attention to proportions.

  2. step 02

    Establish the background with a dark, blended tone, allowing for subtle variations in value.

  3. step 03

    Block in the main colors of the clothing and drapery, focusing on the overall shapes and values.

  4. step 04

    Begin to refine the facial features of both figures, paying close attention to light and shadow to create form.

  5. step 05

    Develop the details of the clothing, including the lace, embroidery, and fabric folds.

  6. step 06

    Add highlights and shadows to the frame to create a sense of depth and texture.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and balanced image.

  8. step 08

    Add final details such as highlights in the eyes and subtle variations in skin tone.

color palette

primary · red · ivory black · raw umber · titanium white

secondary · ultramarine blue · gold ochre

Achieve skin tones by mixing white, raw umber, and a touch of red. Darken colors with ivory black and lighten with titanium white. Create the red drapery by mixing red with varying amounts of raw umber and white for highlights and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·fabric rendering
  • ·blending

common pitfalls

  • →Inaccurate proportions in the figures.
  • →Overly harsh or flat lighting.
  • →Difficulty capturing the subtle nuances of skin tone.
  • →Failing to create a sense of depth and dimension in the drapery.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red, ivory black, raw umber, titanium white, ultramarine blue, gold ochre)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne