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home·artworks·Jan Christian Smuts, Chancellor of the University (1948–1950), General of Boer Forces in Cape Colony, Prime Minister of South Africa
Jan Christian Smuts, Chancellor of the University (1948–1950), General of Boer Forces in Cape Colony, Prime Minister of South Africa by Arthur Pan

plate no. 4027

Jan Christian Smuts, Chancellor of the University (1948–1950), General of Boer Forces in Cape Colony, Prime Minister of South Africa

Arthur Pan, 1944

oil, canvasRealismportraitportraitfiguremilitary uniformmanhistorical figureclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering realistic skin tones and textures. It also provides practice in painting detailed clothing and understanding light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, paying attention to the placement of facial features.

  2. step 02

    Establish the background with a thin wash of dark brown, gradually building up darker values in the shadows.

  3. step 03

    Block in the main areas of the face with basic skin tones, focusing on the overall value structure.

  4. step 04

    Refine the facial features, adding details like wrinkles, highlights, and shadows to create depth and realism.

  5. step 05

    Paint the uniform, starting with the base color and then adding details like buttons, ribbons, and epaulettes.

  6. step 06

    Pay close attention to the folds and creases in the clothing to create a sense of volume.

  7. step 07

    Add highlights and shadows to the hair and beard to create texture and dimension.

  8. step 08

    Make final adjustments to the values and colors to ensure a cohesive and realistic painting.

color palette

primary · raw umber · titanium white · cadmium yellow · alizarin crimson

secondary · ultramarine blue · burnt sienna · ivory black

Mix skin tones by blending white, yellow, red, and a touch of blue. Use raw umber and black for shadows. Achieve the uniform color by mixing yellow, blue, and a touch of red.

techniques

  • ·portrait painting
  • ·value study
  • ·glazing
  • ·blending
  • ·rendering details

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Over-blending, resulting in a flat and lifeless appearance.
  • →Ignoring the subtle variations in skin tone.
  • →Getting lost in details before establishing the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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related guides

oil painting for beginners →how to learn by studying the masters →
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