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home·artworks·James Drummond
James Drummond by John Riley

plate no. 8155

James Drummond

John Riley, 1670

oilBaroqueportraitportraitmanhairlaceclothingfigure
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and fabric textures. It also provides practice in creating subtle gradations of light and shadow to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the figure, focusing on the head, shoulders, and the placement of features.

  2. step 02

    Establish the background with a dark, muted tone, gradually blending it to create depth.

  3. step 03

    Block in the main areas of the face with thin washes of color, paying attention to the highlights and shadows.

  4. step 04

    Begin building up the hair with layers of browns and yellows, using small, broken brushstrokes to create texture.

  5. step 05

    Define the clothing with broad strokes, focusing on the folds and drapery.

  6. step 06

    Carefully render the lace collar, using fine brushes to capture the intricate details.

  7. step 07

    Refine the facial features, adding subtle details to capture the likeness of the subject.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · raw umber · titanium white · yellow ochre · burnt sienna

secondary · ivory black · cadmium yellow · alizarin crimson

Mix various shades of brown by combining raw umber, burnt sienna, and ivory black. Use yellow ochre and titanium white to create highlights on the face and hair. Add small amounts of alizarin crimson to warm up the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Inaccurately capturing the proportions of the face

materials

surface · stretched oval canvas

required

  • ·Stretched oval canvas
  • ·Oil paints
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Soft cloths

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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