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home·artworks·Jacob with the Flock of Laban
Jacob with the Flock of Laban by Jusepe de Ribera

plate no. 1726

Jacob with the Flock of Laban

Jusepe de Ribera, 1632

oil, canvasTenebrismreligious paintingfiguresheeplandscapereligiousflockanimal
experienced study

Recreating this painting will help students develop skills in chiaroscuro and rendering realistic textures, particularly the wool of the sheep. It also provides practice in depicting the human figure in a dramatic, emotional pose.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and sheep.

  2. step 02

    Establish the dark background using a thin wash of dark brown.

  3. step 03

    Block in the main shapes of the figure and sheep with mid-tone colors.

  4. step 04

    Begin building up the highlights and shadows on the figure, paying attention to the dramatic lighting.

  5. step 05

    Add details to the face and hands, focusing on capturing the expression.

  6. step 06

    Render the texture of the sheep's wool using short, broken brushstrokes.

  7. step 07

    Refine the background and add any remaining details.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt umber · raw umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve the skin tones by mixing cadmium red, yellow ochre, and white, with small amounts of burnt umber for shadows. The sheep's wool is created by mixing white with small amounts of raw umber and burnt umber.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overblending, which can flatten the forms.
  • →Losing the dramatic contrast between light and shadow.
  • →Getting bogged down in details too early.
  • →Failing to capture the texture of the wool.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.

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