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home·artworks·Jacob Coin de village
Jacob Coin de village by Camille Pissarro

plate no. 6741

Jacob Coin de village

Camille Pissarro

oilRealismportraitbuildingsfigurestreesvillagelandscapesky
some experience helpful

Recreating this painting will help students develop skills in depicting form using subtle value changes and creating a sense of depth through atmospheric perspective. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, figures, and landscape, paying attention to perspective.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Block in the main areas of light and shadow on the buildings and figures.

  4. step 04

    Begin to develop the textures of the buildings, trees, and ground using visible brushstrokes.

  5. step 05

    Refine the details of the figures, paying attention to their clothing and facial features.

  6. step 06

    Add highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Adjust the colors and values to create a harmonious composition.

  8. step 08

    Add final details and refine the brushwork to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow

Mix various shades of brown and gray by combining raw umber, yellow ochre, and ultramarine blue with titanium white. Use burnt sienna and cadmium yellow to create warmer tones for the buildings and ground.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong sense of light and shadow.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium yellow oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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