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home·artworks·Italianate Park Landscape
Italianate Park Landscape by Abraham Storck

plate no. 1962

Italianate Park Landscape

Abraham Storck

oilBaroquemarinabuildingtreesfiguresfountainskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with simplified forms. It also provides practice in painting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, fountain, and horizon line.

  2. step 02

    Block in the sky with light, muted tones, creating a sense of atmospheric perspective.

  3. step 03

    Establish the basic shapes of the building and fountain with simplified forms and values.

  4. step 04

    Add the dark masses of the trees, varying their shapes and sizes to create depth.

  5. step 05

    Begin adding details to the building, such as windows, columns, and decorative elements.

  6. step 06

    Paint the figures in the foreground, focusing on their gestures and clothing.

  7. step 07

    Add the water in the fountain and pond, reflecting the surrounding elements.

  8. step 08

    Refine the details and values throughout the painting, paying attention to the overall harmony and balance.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve the warm tones of the building and ground by mixing raw umber, burnt sienna, and titanium white.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating too much contrast, resulting in a harsh and unnatural look.
  • →Failing to simplify the forms of the building and fountain, making them appear too complex.
  • →Neglecting the importance of value relationships in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (raw umber, titanium white, yellow ochre, burnt sienna, ultramarine blue, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas to allow for both smooth blending and textural effects. Consider using a toned canvas to establish a base value.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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