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home·artworks·Italianate Landscape with An Artist Sketching from Nature
Italianate Landscape with An Artist Sketching from Nature by Jan Dirksz Both

plate no. 1771

Italianate Landscape with An Artist Sketching from Nature

Jan Dirksz Both, 1650

oilBaroquelandscapelandscapewaterfalltreesfiguresrockssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering realistic textures of rocks and foliage. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, rocks, trees, and figures.

  2. step 02

    Establish the sky and distant landscape with thin washes of color, creating a sense of atmospheric perspective.

  3. step 03

    Block in the large shapes of the rocks and foliage with mid-tone colors, paying attention to the light and shadow patterns.

  4. step 04

    Begin layering colors on the rocks, using a variety of browns, yellows, and greens to create texture and depth.

  5. step 05

    Develop the foliage by layering different shades of green and adding highlights to suggest sunlight.

  6. step 06

    Paint the waterfall and stream, using white and light blue to capture the movement and transparency of the water.

  7. step 07

    Add details to the figures, paying attention to their proportions and clothing.

  8. step 08

    Refine the overall painting by adjusting values, adding highlights, and softening edges.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · sap green · cadmium yellow · raw sienna

Achieve the subtle greens by mixing ultramarine blue and cadmium yellow, and adjust with white or burnt umber. Create the warm tones of the rocks by blending yellow ochre, burnt umber, and a touch of cadmium yellow. Use white to lighten colors and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmospheric perspective.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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