
plate no. 5623
Jan Dirksz Both, 1652
Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering and value changes. Students will also learn to render realistic foliage and figures in a landscape setting.
technical profile
approach — 8 steps
Begin with a light sketch outlining the major shapes: sky, hills, trees, and figures.
Establish the sky gradient with soft, blended colors, focusing on the warm sunset hues.
Block in the distant hills and harbor using muted blues and grays to create atmospheric perspective.
Paint the large rock formation on the right, paying attention to the light and shadow to define its form.
Add the trees, starting with the darker underlayers and gradually building up the lighter foliage.
Paint the figures and animals, keeping them relatively small and simple.
Refine the details in the foreground, adding texture to the ground and foliage.
Add final highlights and shadows to enhance the overall depth and realism.
color palette
primary · ultramarine blue · burnt umber · yellow ochre · titanium white
secondary · cadmium red · raw sienna · ivory black
Mix various shades of brown and green by combining burnt umber, yellow ochre, and ultramarine blue. Use titanium white to lighten colors and create highlights. Achieve atmospheric perspective by adding blue to distant elements.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can help to unify the colors.
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