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home·artworks·Italian Landscape by Evening
Italian Landscape by Evening by Jan Dirksz Both

plate no. 8118

Italian Landscape by Evening

Jan Dirksz Both, 1645

oilBaroquelandscapelandscapetowertreesfigurescartanimals
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through value and color changes. It also provides practice in rendering complex textures like foliage and stonework.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tower, trees, and figures.

  2. step 02

    Establish the sky with a gradient of light colors, blending smoothly.

  3. step 03

    Block in the major shapes of the landscape with dark and mid-tone values.

  4. step 04

    Add details to the tower, focusing on the texture and form of the stonework.

  5. step 05

    Paint the trees, varying the colors and values to create depth and volume.

  6. step 06

    Add the figures and animals, paying attention to their proportions and placement.

  7. step 07

    Refine the details of the foreground, adding texture and interest.

  8. step 08

    Glaze over the painting to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ultramarine blue · ivory black

Achieve the warm, muted tones by mixing raw umber, yellow ochre, and white. Use burnt sienna and ultramarine blue to create darker shades for shadows and foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create enough contrast between the light and dark areas.
  • →Using colors that are too saturated, which can detract from the overall mood.
  • →Ignoring the principles of atmospheric perspective, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use a canvas with a smooth texture to facilitate blending and glazing. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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