apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Italian girl
Italian girl by George Elgar Hicks

plate no. 6891

Italian girl

George Elgar Hicks, 1877

oilRealismportraitportraitfiguregirlclothingjarheadwear
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and subtle skin tones, as well as practicing loose, expressive brushwork to create texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the jar.

  2. step 02

    Establish the background with broad, dark tones, leaving space for the figure.

  3. step 03

    Block in the main areas of color for the skin, clothing, and jar, focusing on overall values.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the face.

  5. step 05

    Add details to the clothing, including the patterns and textures.

  6. step 06

    Develop the form of the jar, using highlights and shadows to create a sense of roundness.

  7. step 07

    Refine the background, adding subtle variations in color and tone.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · alizarin crimson · viridian

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the copper color of the jar by layering burnt umber, cadmium red, and touches of yellow ochre. Use ultramarine blue and alizarin crimson for the darks.

techniques

  • ·portrait painting
  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the looseness and spontaneity of the brushwork.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-tooth canvas to allow for expressive brushwork. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy