
plate no. 7700
James Taylor Harwood, 1890
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and textures through brushwork.
technical profile
approach — 8 steps
Lightly sketch the overall composition, paying attention to proportions and placement of the figure.
Establish the background with a thin wash of neutral tones, creating a sense of depth and atmosphere.
Block in the main shapes of the figure, including the dress, blouse, and headscarf, using simplified color masses.
Begin refining the facial features, focusing on accurate placement and subtle value changes to create form.
Develop the details of the clothing, paying attention to folds, highlights, and shadows to create a sense of volume.
Paint the flower basket, capturing the variety of colors and textures within the flowers.
Add the finishing touches, such as the jewelry, the details on the dress, and the scattered flowers on the ground.
Glaze and adjust values as needed to create a cohesive and harmonious final painting.
color palette
primary · titanium white · ivory black · yellow ochre · burnt umber
secondary · cadmium red · ultramarine blue · alizarin crimson
Achieve skin tones by mixing white, yellow ochre, and a touch of red; use burnt umber and black for dark areas and shadows; mix blues and reds for the dress.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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