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home·artworks·Italian Flower Girl
Italian Flower Girl by James Taylor Harwood

plate no. 7700

Italian Flower Girl

James Taylor Harwood, 1890

oil, canvasRealismportraitfigureportraitflowersbasketdresswall
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and textures through brushwork.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Establish the background with a thin wash of neutral tones, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure, including the dress, blouse, and headscarf, using simplified color masses.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes to create form.

  5. step 05

    Develop the details of the clothing, paying attention to folds, highlights, and shadows to create a sense of volume.

  6. step 06

    Paint the flower basket, capturing the variety of colors and textures within the flowers.

  7. step 07

    Add the finishing touches, such as the jewelry, the details on the dress, and the scattered flowers on the ground.

  8. step 08

    Glaze and adjust values as needed to create a cohesive and harmonious final painting.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red · ultramarine blue · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red; use burnt umber and black for dark areas and shadows; mix blues and reds for the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Not capturing the subtle value changes in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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