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home·artworks·Italian court with a young couple
Italian court with a young couple by Scipione Simoni

plate no. 6198

Italian court with a young couple

Scipione Simoni, 1900

watercolor, paperRealismgenre paintingarchitecturecourtyardfiguresdonkeybrickcobblestone
some experience helpful

Recreating this painting will help students develop skills in rendering textures, particularly brick and stone, and in creating a sense of depth through atmospheric perspective. It also provides practice in painting figures within an architectural setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements and figure placements, paying attention to perspective.

  2. step 02

    Establish the base washes for the sky and the general tones of the buildings and ground.

  3. step 03

    Begin layering washes to build up the colors and values of the walls, bricks, and cobblestones.

  4. step 04

    Add details to the architectural features, such as windows, doors, and stairs, using smaller brushes.

  5. step 05

    Paint the figures and donkey, paying attention to their proportions and clothing details.

  6. step 06

    Add shadows and highlights to create depth and dimension.

  7. step 07

    Introduce details like the chickens and small vegetation.

  8. step 08

    Refine the overall composition and add any final touches.

color palette

primary · raw sienna · burnt umber · ultramarine blue

secondary · cadmium red · yellow ochre · Payne's gray

Achieve the earthy tones by mixing raw sienna and burnt umber with small amounts of blue. Use red and yellow ochre sparingly for highlights and details on the figures and architecture.

techniques

  • ·layering washes
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated or bright.
  • →Ignoring the importance of shadows and highlights.

materials

surface · watercolor paper 140lb cold press

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat, various sizes)
  • ·watercolor paper (140lb cold press)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·gouache (for highlights)
  • ·ruler

Use high-quality watercolor paper to allow for multiple washes without buckling. A variety of brush sizes will be helpful for both broad washes and fine details.

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watercolor techniques →how to learn by studying the masters →
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