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home·artworks·Italian cityscape
Italian cityscape by Scipione Simoni

plate no. 7489

Italian cityscape

Scipione Simoni, 1902

watercolor, paperRealismcityscapebuildingsstreetfiguresstonecobblestonesky
some experience helpful

Recreating this painting will help students develop skills in perspective, rendering textures of stone and fabric, and creating atmospheric depth through color and value variations. It also provides practice in depicting figures in a realistic setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the sky with a diluted wash of light blue.

  3. step 03

    Apply a base layer of warm browns and yellows to the buildings, varying the tones to suggest light and shadow.

  4. step 04

    Begin adding details to the stone textures, using dry brush techniques and layering different shades of brown and gray.

  5. step 05

    Paint the figures, paying attention to the folds and shadows in their clothing.

  6. step 06

    Add details to the cobblestone street, using a small brush to create individual stones and their shadows.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · raw sienna · burnt umber · cerulean blue

secondary · cadmium red · yellow ochre · payne's gray

Mix browns and grays by combining raw sienna, burnt umber, and payne's gray in varying proportions. Use cerulean blue diluted with water for the sky. Add small amounts of cadmium red to warm up the browns for the buildings.

techniques

  • ·dry brush
  • ·layering
  • ·washes
  • ·perspective
  • ·color mixing

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overworking the details and losing the freshness of the watercolor.
  • →Using too much water and causing the colors to bleed.
  • →Failing to create enough contrast between light and shadow.
  • →Inaccurate color mixing resulting in muddy tones.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for layering. Experiment with different brush sizes to achieve varying levels of detail.

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watercolor techniques →how to learn by studying the masters →
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