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home·artworks·Interior of the St. Bavokerk at Haarlem
Interior of the St. Bavokerk at Haarlem by Pieter Saenredam

plate no. 9110

Interior of the St. Bavokerk at Haarlem

Pieter Saenredam, 1635

oilBaroqueinteriorarchitectureinteriorchurchfigurescolumnsarches
some experience helpful

Recreating this painting will help students understand linear perspective and how to create a sense of depth using subtle value changes. It also offers practice in rendering architectural details and figures within a large space.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch, focusing on the perspective lines and the placement of the major architectural elements (columns, arches, windows).

  2. step 02

    Establish the horizon line and vanishing point(s) to ensure accurate perspective.

  3. step 03

    Block in the main shapes of the columns and arches with a light wash of neutral gray.

  4. step 04

    Gradually build up the values, paying attention to the light source and shadows on the architectural elements.

  5. step 05

    Add the figures, keeping them in proportion to the architecture and using simple shapes.

  6. step 06

    Refine the details of the architectural elements, such as the moldings and carvings.

  7. step 07

    Add subtle color variations to the columns and floor to create a sense of realism.

  8. step 08

    Apply final highlights and shadows to enhance the depth and dimension of the painting.

color palette

primary · titanium white · raw umber · ivory black

secondary · yellow ochre · burnt sienna

Achieve the various shades of gray by mixing titanium white with small amounts of raw umber and ivory black. Use yellow ochre and burnt sienna sparingly to add warmth to certain areas.

techniques

  • ·linear perspective
  • ·grisaille underpainting
  • ·glazing
  • ·scumbling

common pitfalls

  • →Incorrect perspective leading to a distorted image.
  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Using colors that are too saturated, resulting in an unrealistic appearance.
  • →Failing to establish a clear light source, resulting in flat and lifeless shadows.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints: titanium white, raw umber, ivory black, yellow ochre, burnt sienna
  • ·Palette
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Assorted brushes (round and flat)
  • ·Palette knife
  • ·Ruler

optional

  • ·Medium gloss
  • ·Easel

A smooth canvas surface is recommended for achieving the subtle details in this painting. Use a medium that promotes smooth blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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