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home·artworks·Interior of the Nieuwe Kerk at Haarlem
Interior of the Nieuwe Kerk at Haarlem by Pieter Saenredam

plate no. 0008

Interior of the Nieuwe Kerk at Haarlem

Pieter Saenredam, 1655

oilBaroqueinteriorarchitectureinteriorcolumnsfigureschurchclock
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for subtle tonal variations, and rendering architectural details. It also provides practice in depicting figures within a larger space.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic architectural structure, paying close attention to perspective and proportions.

  2. step 02

    Establish the horizon line and vanishing points.

  3. step 03

    Block in the main shapes of the columns, arches, and podium.

  4. step 04

    Mix a range of neutral tones using a limited palette of earth colors and white.

  5. step 05

    Begin layering in the shadows and highlights to create depth and dimension.

  6. step 06

    Add details such as the clock, window panes, and figures.

  7. step 07

    Refine the edges and details to create a sense of realism.

  8. step 08

    Add final glazes to unify the colors and create a soft, luminous effect.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · burnt sienna · ivory black

Achieve the subtle variations in tone by mixing white with small amounts of raw umber, yellow ochre, and burnt sienna. Use ivory black sparingly to darken shadows.

techniques

  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·tonal painting
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective can ruin the illusion of depth.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Using too much color can detract from the subtle tonal harmony.
  • →Failing to establish a clear light source will make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·#2 round brush
  • ·#4 flat brush

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a fine-weave canvas to allow for smooth blending and subtle details. Consider using a toned ground to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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