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home·artworks·Interior of the Church of St Bavo in Haarlem
Interior of the Church of St Bavo in Haarlem by Pieter Saenredam

plate no. 5117

Interior of the Church of St Bavo in Haarlem

Pieter Saenredam, 1636

oilBaroqueinteriorarchitecturechurch interiorcolumnsfiguresarchesorgan
experienced study

Recreating this painting will help students develop skills in perspective drawing, rendering architectural details, and creating atmospheric depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a detailed perspective sketch, focusing on the receding lines of the arches and columns.

  2. step 02

    Establish the basic value structure, mapping out the light and shadow areas.

  3. step 03

    Block in the large areas of color, starting with the walls and floor.

  4. step 04

    Develop the details of the architectural elements, such as the columns, arches, and windows.

  5. step 05

    Add the figures, paying attention to their scale and placement within the space.

  6. step 06

    Refine the details of the organ and other decorative elements.

  7. step 07

    Adjust the values and colors to create a sense of atmospheric perspective.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · Prussian blue · cadmium red light

Mix various shades of gray and beige by combining white, black, and umber. Use yellow ochre to warm the highlights and Prussian blue to cool the shadows. A touch of cadmium red can add warmth to the figures and organ details.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Incorrect perspective leading to a distorted space.
  • →Overly harsh value contrasts that flatten the image.
  • →Neglecting the subtle color variations in the walls and floor.
  • →Inaccurate rendering of architectural details.
  • →Poor placement of figures, disrupting the sense of scale and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will facilitate the blending of colors.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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