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home·artworks·Interior of the Church of St. Bavo in Haarlem
Interior of the Church of St. Bavo in Haarlem by Pieter Saenredam

plate no. 6360

Interior of the Church of St. Bavo in Haarlem

Pieter Saenredam, 1648

oilBaroqueinteriorarchitecturechurchinteriorcolumnsarchesfigures
experienced study

Recreating this painting will help students develop skills in perspective drawing, particularly one-point perspective, and in rendering subtle gradations of light and shadow to create a sense of depth and space.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch establishing the basic perspective lines and vanishing point.

  2. step 02

    Block in the major shapes of the architecture, focusing on the columns, arches, and ceiling.

  3. step 03

    Establish the light source and begin to build up the values, starting with the darkest shadows.

  4. step 04

    Gradually add layers of lighter tones to create the illusion of depth and form.

  5. step 05

    Pay close attention to the details of the architectural elements, such as the moldings and carvings.

  6. step 06

    Add the figures in the foreground, keeping them small in scale to emphasize the grandeur of the space.

  7. step 07

    Refine the details and adjust the values as needed to achieve a sense of realism.

  8. step 08

    Add final highlights to enhance the sense of light and atmosphere.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Achieve the subtle variations in tone by gradually mixing small amounts of raw umber and ivory black with titanium white. Use yellow ochre and burnt sienna for warmer highlights and accents.

techniques

  • ·glazing
  • ·scumbling
  • ·one-point perspective
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Incorrect perspective, leading to a distorted or unrealistic depiction of the space.
  • →Overworking the details, resulting in a stiff or lifeless painting.
  • →Failing to establish a clear light source, leading to a lack of depth and dimension.
  • →Using too much contrast, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a fine-weave canvas to allow for smooth blending and subtle details.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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