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home·artworks·Interior of St. Peter's, Rome
Interior of St. Peter's, Rome by Giovanni Paolo Panini

plate no. 9798

Interior of St. Peter's, Rome

Giovanni Paolo Panini, 1755

oilBaroqueinteriorinteriorarchitecturefigurescolumnsarcheschurch
advanced study

Recreating this painting will help students develop skills in perspective drawing, rendering complex architectural details, and creating atmospheric depth through value and color variations. It also provides practice in painting figures in a believable scale within a large space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and proportions of the architectural elements.

  2. step 02

    Block in the main areas of light and shadow using a limited palette of neutral tones.

  3. step 03

    Develop the architectural details, paying close attention to the diminishing scale as elements recede into the distance.

  4. step 04

    Add the figures, starting with the largest and closest ones, and gradually reducing their size as they move further back.

  5. step 05

    Introduce subtle color variations to create a sense of atmosphere and depth.

  6. step 06

    Refine the details of the architectural ornamentation and the figures' clothing.

  7. step 07

    Add highlights to create a sense of light and sparkle.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and balanced composition.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve the various gray tones by mixing ivory black, raw umber, and titanium white in different proportions. Use small amounts of cadmium red and yellow ochre to warm up the grays and create subtle color variations. Mix ultramarine blue with burnt sienna to create darker shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·glazing
  • ·scumbling

common pitfalls

  • →Incorrect perspective leading to a distorted image
  • →Overworking the details and losing the overall sense of atmosphere
  • →Failing to create a believable sense of depth
  • →Inconsistent scale of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for the detailed architectural elements.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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