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home·artworks·Interior of St. James' Church in Utrecht
Interior of St. James' Church in Utrecht by Pieter Saenredam

plate no. 2063

Interior of St. James' Church in Utrecht

Pieter Saenredam, 1642

oilBaroqueinteriorarchitecturechurchinteriorcolumnsarchesfigures
some experience helpful

This painting allows students to practice linear perspective and rendering subtle value changes to create a sense of depth and space. Students will also learn to create a harmonious color palette using muted tones.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic architectural structure using perspective lines to establish depth.

  2. step 02

    Block in the main areas of light and shadow with diluted washes of neutral colors.

  3. step 03

    Refine the architectural details, focusing on accurate proportions and angles.

  4. step 04

    Begin adding subtle color variations to the walls and columns, using a limited palette.

  5. step 05

    Paint the windows and the light streaming through them, paying attention to the soft glow.

  6. step 06

    Add the figures in the foreground, keeping them small and in proportion to the architecture.

  7. step 07

    Paint the hanging decorations and other details, adding texture and interest.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · ultramarine blue · burnt sienna

Mix white with small amounts of raw umber and yellow ochre to create the various shades of off-white for the walls and columns. Use ultramarine blue to create the blue tints in the windows and floor.

techniques

  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective can ruin the sense of depth.
  • →Overly bright or saturated colors will detract from the painting's muted atmosphere.
  • →Lack of attention to detail in the architectural elements.
  • →Ignoring the subtle value changes that create form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a fine-grain canvas to allow for smooth blending and subtle details. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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