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home·artworks·Interior of a Dutch House
Interior of a Dutch House by Pieter de Hooch

plate no. 8667

Interior of a Dutch House

Pieter de Hooch, 1657

oil, panelBaroqueinteriorinteriorfiguresarchitecturedomestic scenelightwindow
some experience helpful

Recreating this painting will help students understand the use of light and shadow to create depth and atmosphere, as well as how to depict realistic figures in an interior setting. It also provides practice in rendering textures of different materials like wood, fabric, and tile.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective of the room.

  2. step 02

    Block in the large shapes of the figures and furniture with thin washes of color.

  3. step 03

    Establish the main light source and begin to build up the shadows and highlights.

  4. step 04

    Focus on accurately rendering the values to create a sense of depth and form.

  5. step 05

    Develop the details of the figures, paying attention to the folds of the clothing and the facial features.

  6. step 06

    Add details to the architectural elements, such as the windows, doors, and floor tiles.

  7. step 07

    Refine the edges and transitions between colors to create a smooth and realistic effect.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow light · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use yellow ochre and cadmium yellow light to create warm highlights. Add small amounts of ultramarine blue to darken shadows and create cool tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Incorrect perspective
  • →Overblending colors
  • →Ignoring the light source
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a smooth surface to allow for subtle blending. Consider toning the canvas with a thin wash of burnt umber before beginning to paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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