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home·artworks·Inmaculada con Miguel del Cid
Inmaculada con Miguel del Cid by Francisco Pacheco

plate no. 1841

Inmaculada con Miguel del Cid

Francisco Pacheco, 1619

oilBaroquereligious paintingfigurecloudsangelsreligiousskyportrait
experienced study

Recreating this painting will help students develop skills in figure painting, drapery rendering, and atmospheric perspective. It also provides practice in creating a sense of depth and luminosity through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, angels, and other elements.

  2. step 02

    Establish the background with a light wash of blue and gray for the sky and clouds.

  3. step 03

    Block in the main figure with simplified shapes and values, paying attention to the folds of the drapery.

  4. step 04

    Begin layering the colors for the figure's robe, using darker tones for shadows and lighter tones for highlights.

  5. step 05

    Paint the faces and wings of the angels, focusing on capturing their expressions and details.

  6. step 06

    Add the details of the landscape and the figure at the bottom, using smaller brushes for precision.

  7. step 07

    Glaze the painting with thin layers of color to create depth and luminosity.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · crimson red · yellow ochre · ivory black

secondary · burnt umber · titanium white · viridian green

Mix various shades of blue and gray for the sky and clouds. Achieve the robe's deep red by layering crimson and burnt umber. Create the skin tones of the angels by mixing white, yellow ochre, and a touch of red.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Not paying attention to the anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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