apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Indian Girl
Indian Girl by Aleksander Belyaev

plate no. 6452

Indian Girl

Aleksander Belyaev, 2015

oil, canvas, boardRealismportraitportraitgirlnative americanskyfieldclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing subtle skin tones. It also provides practice in rendering textures, such as fabric and hair, using visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the girl's figure and the background elements.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin building up the skin tones using layers of subtle color variations, paying close attention to highlights and shadows.

  4. step 04

    Define the features of the face, focusing on capturing the expression in the eyes and mouth.

  5. step 05

    Paint the clothing, using visible brushstrokes to create texture and dimension.

  6. step 06

    Add details to the hair, including the braids and the colorful accents.

  7. step 07

    Develop the background, suggesting the sky and field with loose, expressive brushwork.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · titanium white · raw umber · yellow ochre · burnt sienna

secondary · ultramarine blue · alizarin crimson · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use ultramarine blue and white for the sky, and mix yellow ochre, raw umber, and touches of green for the field.

techniques

  • ·portrait painting
  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle color variations in the clothing and background.
  • →Losing the expressive quality of the brushwork.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy